Gothic Matters: Introduction
نویسندگان
چکیده
منابع مشابه
Gothic Scholars Don’t Wear Black Gothic Studies and Gothic Subcultures
are hardly in touch with each other. This is something that should ideally change in the near future, since Gothic Studies and Gothic youth subcultures greatly overlap, at least as regards their common interest in Gothic literature, the iconography and the non-literary texts (films, comics, and so on) derived from it. The multiplicity of texts generated by Gothic, understood here as a narrative...
متن کاملIntroduction: Food Matters
carrie bradshaw: When a girl gets backed up against a wall she can’t afford, she has to consider renting others (sniffing through open window). Do . . . Do I smell curry? realtor: There’s an Indian restaurant downstairs. cb: Delia, I ask you, how can this apartment be $2,800 a month? I pay $750 for something that’s twice the size and it don’t smell like takeout. realtor: You have a rent-control...
متن کاملEditors' Introduction: Why Repeat Victimization Matters
The basic facts of repeat victimization are well known. Substantial proportions of differences in rates of crime are attributable to differences in their concentration on particular targets, whether those targets are defined in terms of people, organizations or households. Four of the chapters in this collection detail the extent and correlates of such rates in continental Europe and worldwide ...
متن کاملGothic Art and Architecture
Gothic Art and Architecture, religious and secular buildings, sculpture, stained glass, and illuminated manuscripts and other decorative arts produced in Europe during the latter part of the Middle Ages (5th century to 15th century). Gothic art began to be produced in France about 1140, spreading to the rest of Europe during the following century. The Gothic Age ended with the advent of the Ren...
متن کاملAnnotation and Gothic Hypertext
We often treat annotation as a supplement, scribbling tacked on to the real (hyper) text. Instead, we might view annotation as an organic process in which the current hypertext grows and is elaborated in ways that are unpredictable but not unconstrained. In this, we recognize the old mission of constructive hypertext to form a seedbed and trellis, a structure for what it becoming. A key to cult...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Text Matters
سال: 2016
ISSN: 2084-574X
DOI: 10.1515/texmat-2016-0001